Goondu review: Sony Cyber-shot RX100 IV

September 7th, 2015 | by Wilson Wong
Goondu review: Sony Cyber-shot RX100 IV

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Folks who have used the Sony Cyber-shot RX100 before, including the previous Mark II and Mark III versions, usually are full of praise for this small little powerhouse. So what has the new Mark IV bring to the table for an already impressive compact shooter? 

The most significant changes are the slow motion video feature and the high speed shutter speed of 1/30,000, along with a new auto-focusing system. Sony has kept the compact size and who can fault it for keeping a winning formula?

Even though the Mark IV version of the RX100 has a 20.1-megapixel, 1-inch sensor, the images from it are anything but boring.

Yes, the pictures tended to have a much cooler effect with a blue cast but it can be easily rectified in post editing or by fine-tuning the white balance on-camera to give things a much warmer hue.

The sharpness and clarity shines through at Mount Bromo. This is just a point-and-shoot shot.

And again the auto-focus is very quick as I captured this inside the jeep on a bumpy road. Note that it is zoomed in, making this shot even tougher. Yet, the camera delivers.

Despite having a small sensor, the camera with an ISO setting of 6400 churns out very usable images which are really good for sharing on Facebook, for example. For the pixel peepers, though, the sharpness and clarity would be a compromise, as with most small cameras of its class.

What’s impressive is the Zeiss lens. Its produces high quality shots with its f1.8 to 2.8 maximum aperture and 8.8 to 25.7mm focal length (equivalent to full frame 24 – 70mm).

This range is definitely “comfortable” for travel and day-to-day photography for most users, from wide landscape shots to portraiture.

The fast lens at f1.8 at the wide end of the lens helps with shooting in dimly lit environment. I was happy taking photos in a dark cafe I was in when on an expedition to Mount Bromo in Indonesia recently.

The motion panorama feature works well too with no visible bars and with very smooth graduation. However I find the panorama short and it even produces this odd grey bar at the end of the sequence.

The sharpness wins over skeptics pretty fast.

HDR mode retains more details in harsher lighting conditions, such as bright sunny days and subjects underneath the shade.

Vertical panorama shot. The camera handles well between dark and bright areas.

The RX100 IV has retained the design from before and mated it with a new high-contrast XGA OLED Tru-Finder viewfinder.

Plus, it impresses with a new auto-focusing system which is a joy to use in both day and night situations with very fast focusing. On my trip, I was able to lock on focus fairly quickly, even when shooting on horseback. I was impressed.

The pop-up flash on the RX100 IV may be small but at a suitable distance it does provide a good fill-in light in harsh sunlight conditions. The electronic viewfinder definitely helps here as the sun would make it hard to see the rear preview screen.

Street photography was fun with the RX100 IV as it was small and unobtrusive.

What frustrates me more on the RX100 IV is that to make use of the viewfinder, I have to pop out the finder and then pull the optical element from the finder. It may feel “high-tech” to some users but it is a huge hassle to me. Its many moving parts are also a worry – don’t drop this little camera.

I feel that Sony could have introduced another inch to the height of the camera and incorporated a fixed viewfinder like many other cameras. The extra height would be perfect for a firmer grip on the shooter too.

The biggest drawback for this new Sony compact is still its price.

With the advances come a huge jump in cost, unfortunately. When the RX100 II was introduced, the price was S$999. It increased a further $200 to S$1,199 when the Mark III turned up last year. Now, the latest Mark IV is a going for S$1,399, making it a very pricey compact camera.

Is the new version worth that much money? The images shot on this little gem are, beyond doubt, impressive. But would you be doing newfangled stuff like slow motion videography or capture bursting balloons in a split second?

If so, then the upgrade is justifiable. But otherwise, the older versions might be worth considering, as they are still on sale.

Note that, even with the new camera, getting those difficult shots still requires much higher ISO settings that would inevitably introduce ISO noise and reduce sharpness and clarity in your shots.

You won’t do those shots often, but if you do, perhaps Sony’s larger Cyber-shot RX10 would be handy too. Its much longer telephoto lens can snap moving subjects well if you’re into wild life photography.

Did I enjoy using the RX100 IV? Yes, for sure. However, I would go for the older models that are cheaper (the Mark II is at S$899 and Mark III at S$1,199). Plus, I’d probably not use the new features very often.

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